COINED IN THE SOUTH
The Mint Museum, Young Affiliates seeking artists for juried exhibition with $15,000 purse
The Young Affiliates, in collaboration with The Mint Museum, will host our fourth annual art show, “Coined in the South”, at the museum’s Uptown location from October 11, 2019 to February 16, 2020. The title, “Coined in the South”, refers not only to The Mint Museum’s origins as the first branch of the United States Mint, but also to the act of inventing and/or devising.
The purpose of this show is simple: to bridge the gap between the museum, the gallery, and the studio and to showcase fresh and innovative works that have not yet been seen by a broader audience.
Unconfined to any aesthetic, theme, or medium, this show seeks to be a platform for both established and emerging artists currently working in and/or from the Southeast.
For the first time, prizes will be awarded, with a purse totaling $15,000.
Who: Open to both established and emerging artists who are either from, or currently working in, the Southeast.
Exhibition Run: October 11, 2019 through February 16, 2020
Where: Mint Museum Uptown at Levine Center for the Arts, 500 South Tryon Street, Charlotte, NC 28202
Submissions: Due June 15, 2019 at 11:59 PM. Each artist may submit up to five (5) works as part of their application. All submitted Works must have been produced within the last three years and ready to install by September 21. Incomplete submissions will not be considered, and the Mint Museum is not responsible for difficulties related to the online submission process.
Submissions must include:
Digital image of each work, up to 5 views per object
Title, Date, Medium
Installed Dimensions of each work: H x W x D
Installation requirements (A/V needs and presentation materials to be provided by the artist).
CV or Resume
Year of Birth, Place of Birth (City, State, Country), Current Residence or Studio Residence (City, State, Country)
Social Media Handles (if applicable)
Statement for each work submitted, text not to exceed 200 words.
No submissions will be physically accepted at the Mint Museum, only submissions through the online portal will be considered.
This artist call is open to all creative mediums which are non-perishable, do not produce excessive noise pollution, and do not result in physical and/or psychological harm to any living beings. Installation, video, and performance artists are encouraged to apply but must provide instructions for installation and space requirements, as well as recordings and/or documentation of past performances when available.
The selected Works must be installation ready:
Wall-mounted Works must have hanging hardware
Special equipment and A/V requirements must be provided by the Artist
Submissions should include detailed specifications for Works requiring special installation instructions
Submissions should include needs for casework, platforms, or additional requirements for presentation
The selected Works must be received at the Mint Museum Uptown between Monday, September 16, 2019 and Saturday, September 21, 2019.
A Mint Museum representative will contact selected artists to coordinate shipping and delivery logistics. If the Works are shipped, the Artist shall be responsible for the cost of packing materials, shipping, and insurance if so desired.
Entry Fee: $40.00 for up to five works maximum
For questions, contact Kaitlyn McElwee, YAM Art Show Chair at email@example.com
Marilyn Zapf is the Assistant Director and Curator at the Center for Craft, a national arts nonprofit headquartered in Asheville, North Carolina. She has curated a number of exhibitions including the nationally-traveling Michael Sherrill Retrospective (Mint Museum, Charlotte, NC, 2018) as well as Made in WNC (Center for Craft, Asheville, NC, 2015) and Gee's Bend: From Quilts to Prints (Center for Craft, Asheville, NC, 2014). Marilyn is a trustee of the American Crafts Council, a program advisor for the MA in Critical and Historical Craft Studies program at Warren Wilson College, and has published articles and reviews in international publications, including Art Jewelry Forum and Crafts Magazine (UK). She holds a MA in the History of Design from the Royal College of Art and Victoria and Albert Museum in London, England, and a BA (English Literature) and BFA (Jewelry and Metalworking) from The University of Georgia. Her areas of research include craft, postmodernism, de/industrialization.
Adam N. Justice is a Virginia native who received his master’s degree in Art History from Virginia Commonwealth University (Richmond) in 2004, following his thesis on the evolving role of sign theory in mid-century American art. He then served as the Gallery Associate at VCU’s Anderson Gallery (2004-2006), the Chief Curator at the William King Art Museum in Abingdon, VA (2006-2010), and the Curator of Art at the Polk Museum of Art in Lakeland, FL (2010-2016). Last year, he left his post at the Mint Museum as the Assistant Curator of Modern & Contemporary Art to become the Director of Galleries at the University of North Carolina, Charlotte. His career includes an array of curated exhibitions of modern and contemporary art, numerous essays and critiques written for exhibition catalogues and regional publications, and various appointments as judge/juror for regional and national arts competitions, including PhotoNOLA (New Orleans), The Hunting Art Prize (Houston, TX), and Gasparilla Festival of the Arts (Tampa, FL). While in Florida, he also helped found Outer Space (Winter Haven, FL), a contemporary art gallery and studio residency program, where he served as co-curator and resident artist.
Jonell Logan is an independent curator and arts advocate dedicated to supporting artists, transforming communities, and creating accessible creative spaces. She is the Executive Director of The League of Creative Interventionists (LOCI); a San Francisco-based, non-profit supporting a national network of artists and community partners using creativity to transform communities from within. Originally from New York, Logan worked at several arts organizations including The Metropolitan Museum of Art; Whitney Museum of Art; Studio Museum in Harlem. Moving South, she worked at the the Gibbes Museum of Art in Charleston, South Carolina; and the Harvey B. Gantt Center for African American History and Culture in Charlotte, North Carolina. In 2016, Jonell founded 300 Arts Project, an arts consulting company that supports community engagement, equity and diversity in arts via training, strategic planning, and exhibitions.
Previous Art Shows:
We hosted out third annual Art Show, "Mainframe," in the Level 5 expansion space of the Mint Museum Uptown.
Mainframe: The dawn of the mainframe computer marks a turning point in society. Technology advancements occur constantly and turn new products obsolete in a matter of months. Ironically, technological devices elicit an array of reactions and emotions from the user. Whether it is nostalgia, innovation or possible obsession, we are all influenced in some way by the advances the world has encountered. The Young Affiliates of the Mint are proud to present "Mainframe," a compilation of participatory works that explore the role of technology in society and/or how technology over-stimulation has impacted the world's youngest generations.
Joy Meyer, Leah Mulligan, Daniel Pillis, David Sackett, Thomas Schmidt, Lydia See, Jordan Vinyard, Christina Weisner, Dylan Bannister, Jeffrey Barninger, Chris Clamp, Meredith Connelly, Travis Donavan, Caitlin and Misha, Cynthia Hua, Andrew Leventis, Alexander McKenzie
Lia Newman, Ivan Toth Depena, Kelly McChesney
2017: Gendered: An Inclusive Art Show
We hosted our second juried art show, Gendered: An Inclusive Art Show, at the Mint Uptown from June 16 to July 21, 2017. The show featured works from 24 local and national artists that related to gender and its common intersectionalities with race, class, sexuality, and identity.
Jeremy Brooks, Wendell George Brown, Greg Climer, Ani Collier, Margaret Curtis, Stacey Davidson, Robyn Day, Lisa DeLoria Weinblatt, Holly Fischer, Shterna Goldbloom, Gordon C. James, Mariah Karson, Justin Korver, Indrani Nayar-Gall, Betsy Odom, Austin Power, Stacy Bloom Rexrode, Santiago Sanchez, Anna Wehrwein, D’Angelo Williams, Holly Wilson, Celeste Wilson, Guanyu Xu, Studio 345
Ryan James Caruthers
2016: 80x80: An Art Show
The Young Affiliates of the Mint hosted their inaugural art show, 80x80, in Mint Museum Uptown’s Level 5 expansion space from June 10–25, 2016. 80x80 consisted of a total of 80 works of art, in commemoration of The Mint Museum’s 80th Anniversary. With over 600 attendees at the opening, 80x80 was a resounding success, named "Best Exhibition of 2016" by Creative Loafing!
Take a look at the 80x80 show catalog to see shots from the exhibition and learn more about all of the featured artists and works.
Ayako Abe-Miller, Amna Asghar, Amy Bagwell, Andrew Blanchard, William Brown, Amanda Brown, Robert Bubp, Micah Cash, Jong-un Choi, Chris Clamp, Meredith Connelly, Deangalo Dia, Sharon Dowell, RJ Dygert, Johanna Evans-Colley, Anne Fiala, Mark Flowers, Corey Fowler, Brian Gillis, Jamey Gray, Julie Anne Greenberg, Joshua Dudley Greer, Tinashe Gwata, Garrett Hansen, Ian Henderson, Amy Herman, Glenn Holmstrom, Julie Jones, Craig Kaths, Mary Klacza, Kenn Kotara, Anne Lemanski, Betsy Lewis, Alexandra Loesser, Allison Luce, Katrina Majkut, April Marten, Andy McMillan, Nicholas Napoletano, Christopher Owen Nelson, Erik Nohalty, Isaac Payne, Jonathan Pellitteri, Miranda Pfeiffer, Michelle Podgorski, Stacy Bloom Rexrode, Ellie Richards, Lynne Riding, Barbara Schreiber, Lila Shull, Sandy Singletary, Clint Sleeper, Sydney Sogol, Matthew Steele, Margaret Strickland, Laura Sussman-Randall, Jaimee Todd, Felicia van Bork, Aric Verrastro, Linda Vista, Jason Watson, Annemarie Weekley, Charles Williams, Holly Wilson, Stephen Wilson, Doohyun Yoon, Liliya Zalevskaya, Xiwen Zhu.
Mary Edith Alexander